Sykes can perceive whether a witness is experiencing happiness, anger, sadness or surprise at any given moment while giving testimony. This equates to a new style of cross-examination. Her finely tuned sense of hearing enables her to "hear the words of a witness' heart". Sykes has an ability, new to the series, that proves useful in solving many of these cases.
PHOENIX WRIGHT DUAL DESTINIES WALKTHROUGH SERIES
Series creator Shu Takumi reportedly had little involvement in the game's development, due to him focusing on Professor Layton vs. The protagonists share a basic toolset in that they are each able to present evidence at set points that proves the validity or falsity of a witness's claims, or reveals contradictions in their testimony. No matter whose shoes you inhabit, the rhythm of the investigation is consistent: you search a crime scene to gather clues and speak to witnesses and suspects before the game moves to the courtroom, where the truth behind the crime fully unravels. In Dual Destinies, you play as multiple protagonists: Phoenix, Apollo and the 18-year-old Athena Sykes, a young woman who graduated from law school in Europe (a place so remote and mysterious that young women can apparently train as attorneys while still children) whom the others first meet when she throws a policeman at them. It's a simple, occasionally cheap trick that remains as effective here as it does in so many Miss Marples.
As with most detective fiction, the writers carefully conceal key pieces of information until certain points, so it's never quite possible to solve a case ahead of its conclusion. Dual Destines, for example, opens with the case of a schoolgirl accused of blowing up the very courtroom in which much of the series has taken place, before moving on to a murder case involving demon cosplayers in a remote Japanese village.īut the investigative work that you are called to perform has a certain British, Agatha Christie sharpness and whimsy to it, as you somewhat haplessly feel your way through evidence and testimony, feeling for crinkles of untruth or deceit, pursuing certain lines of questioning, never quite knowing whether they will lead to your desired destination. The outlandish plotlines are unmistakeably Japanese in their esoteric grandeur.
PHOENIX WRIGHT DUAL DESTINIES WALKTHROUGH FULL
The suits, hairstyles and courtroom terminology are all-American, full of Aaron Sorkin-esque "you-can't-handle-the-truth" theatrics, with accusations and bench-slamming counter-accusations flying between the lawyers in front of a usually bewildered witness and judge. Phoenix Wright offers a curious multicultural concoction of influences. A new 'backlog' function keeps a record of all dialogue seen in the game, making it easier to go back and review past scenes. Capcom presents an ingenious and captivating series of cases that thread together into a grand, smartly interlocking narrative - as fine as any previous high point. In this, the seventh game in a series that has markedly dipped in worth in recent years, the Wright Anything agency earns its name for a third time by righting that downward trajectory in quality. Phoenix is in the business of justice, which is a little different to the business of mere conquest - it's usually harder won and comes at greater cost. It is, more often than not, complex success: the sort that wheedles out the essential truth in a situation, rather than the mere verdict that was hoped for.
Wright, together with his colleague Apollo Justice (a junior defense lawyer who, in this latest story, graduated to the profession a year ago) has won scores of cases, usually against devastating odds.īut the mark of their work isn't simple success. Not only does it offer a lop-sided grin of a pun on its founder and star attorney Phoenix Wright's name, it also bears testament to his legacy. The Wright Anything legal agency is suitably named in more ways than one.
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